The ECoC evidence base
Forty years of European Capitals of Culture in their own words: what cities promised, what they did, and what the evaluations found.
documents
cities
evaluations
bid books
title years covered
20 documents of type bid book (final selection) for “Audience development”
Clear
Audience Development efforts: ⚫ Deepening the relationship of current audiences with cul- ture and art. ⚫ Motivating current audiences to attend more often and try new things.
…results in used by Organisations involed in Access audit process customised documents used by facilitators Explain your overall strategy for audience development and in particular the link with education and the participation of schools.
AUDIENCE DEVELOPMENT WHAT? A wide-ranging GO! 2025 cross-border audience develop- ment strategy which includes activities directly managed and delivered by GO! 2025 itself.
Our approach to audience development and the links to education and schools The idea of Play! is itself an audience development strategy. With our ECoC concept we invite citizens to play to convince them that culture is not as scary as it…
…management structure, a special Director- ate of Social Relations and Participation will be cre- ated which will include a Participation and Audience Development Manager.
…21: Explain your overall strategy for audience development, and in particular the link with education and the participation of schools. Building sustainable audiences for culture is to the core of our culture-led development for the Three…
…launch the networking forum during the implementation phase and for this to be retained as part of the legacy beyond 2025. 73 Opening Access: Audience development and cultural education Audience development If we are going to succeed in…
Explain in detail your strategy for audience development, and in particular the link with education and the participation of schools. Our audience development principles are very much in place and embedded in the whole process of…
The aim of the audience development strategy for Pula+2020 is to communicate clear messages that can be understood by everyone. Those messages are related to our topic: demilitarisation, issues that we are chal- lenging: tapija (citizens’…
Audience-centric thinking guides RI:2020, not because it is finally a priority for the EU but because many of our European partners have been crucial in bringing a “visitor perspective” into EU cultural policy in recent years.
…We will work with the Abbé Pierre Foundation and its partners to include in several projects an It’s not Luxury-moment allowing vulnerable audiences to attend Bourges 2028 events in symbiosis with other audiences.
In our audience development strategy, we focus on local/ regional audiences originating from the city of Kalamata and the Messinia Region. We segment the audience into central, occasional, potential and non-users.
We put the audience-development-driven research package to the forefront as the one objective that defines the success of the project. It does so by keeping in mind that audience development is the driver of the Cultural Programme…
…Dubrovnik2020 projects rely on the wisdom of the more experienced generations, not in order to ghettoize older generations in a separate audience group but, on the contrary, to actively involve them as the co-creators of the cultural…
…Jataci, Intersection (I am an emotional creature and Labels), CCM, Film at Every Corner, Faceprints, MZ 73 Explain in detail your strategy for audience development, and in particular the link with edu- cation and the participation of…
The basic challenge for audience development is that people using cultural services tend to remain the same – a homogenous group which gets older, but new audiences hardly follow.
Explain your overall strategy for audience development, and in particular the link with education and the participation of schools. The strategy for audience development is based on the following elements: Geographical range: the…
Audience Development The Osijek 2020 audience development strategy is focused on the entire population of the city and O₂ region, with emphasis on: — Children – children of preschool and elementary school age, children who are addicts…
EXPLAIN YOUR OVERALL STRATEGY FOR AUDIENCE DEVELOPMENT, AND IN PARTICULAR THE LINK WITH EDUCATION AND PARTICIPATION OF SCHOOLS. AUDIENCE DEVELOPMENT O nly if we succeed in addressing and involving an audience that goes beyond the…
…WINDOW ON THE WORLD p38 projects also provide further evidence of our commitment to universal access and providing inclusive experiences for audiences with disabilities.
